

It took audacity and courage to go around the world with his instrument, to meet disadvantaged young people. A beautiful utopia realized by the author of this endearing and original book. Proof that once again, music opens up limitless horizons. And that it weaves unparalleled bonds between men.
Renaud Capuçon
Christophe left Paris on May 1, 2018 with his viola for a one-year world tour. He had several goals in mind, including going to meet the El Sistema associations, and put them forward through video documentaries. These associations are dedicated to helping needy children through the practice of classical music. All along his trip Christophe traveled as much as possible by train. His journey was an opportunity to overcome existential questions and to move on after a painful break-up following a ten year relationship. During this initiation journey in quest of himself, he met hundreds of people who helped him evolve through their sharing. In this way, he changed his view on the planet, on the relationships between people, and discovered the geopolitical concerns that drive today’s world. This is how he ended up falling in love with nature. He spent the last two months in the heart of a preserved Patagonia, but which is dying under the dramatic effects of global warming and overexploitation. And then, he came back to France completely transformed, eager to pass on a little of what he had experienced during that year.
23€ – Buy in French independent bookstore
23€ – FNAC.FR23€ – FNAC.BE33CHF – FNAC.CH23€ – Amazon.fr23€ – Amazon.deCAD45.95 – Amazon.ca23€ – Cultura
Un alto pour passeport is published by Éditions Favre. You can buy it in bookstores or on the Internet using the links above.
They talk about it
To listen while reading
In order to make it easier to listen to the pieces mentioned in the book Un alto pour passeport, I have gathered the direct links to the works by episode and by chapter. Click on the “+” button on the right of each episode to open the pieces.
1st episode — From Europe to Asia
Franz Liszt — Romance oubliée
Aaron Conitz and Angela Draghicescu, viola and piano, 2017
Maurice Ravel — Boléro
Katia and Marielle Labèque, piano, Jazz in Marciac, 2017
Nikolaï Rimski-Korsakov — Scheherazade
Mariinsky Theatre Orchestra — Valery Gergiev, 1998
Natsagiin Jantsannorov — Manduhai Tsetsen Hatan
State Morin Khuur Ensemble of Mongolia, 1987
Traditional Theme — The Weeping Camel
Guo Dayu and Xi Zhigan — Promotion of Judge Xu
Zhu Shihui, Beijing Opera, 2017
Huang Huai-Hai — The Horse Race
Lang Lang, piano and Guo Gan, erhu, Cité de la Musique de Paris, 2011
John Williams — Young Dalai Lama and Ceremonial Chant
John Williams, Yo-Yo Ma, The Gyuto Monks, 1997
Traditional Theme — Nepali Themes on Panche Baja Instruments
Beatles — While My Guitar Gently Weeps
Wicked Music People, George Town Festival, 2018
Traditional theme — Themes on piphat instruments
Thai Piphat Orchestra, Siam Society, 2010
2nd episode — Getaways in Oceania
Banjo Paterson — Waltzing Matilda
Slim Dusty, 1998
Wayne Maso — Nature
The Fourmyula, 1969
Émile Sham Koua — Pahoho
Te Ava Piti, 1992
Matato’a — E’ruru era
3rd episode — Getaways in South America
Sergio Ortegan, Quilapayún — ¡El pueblo unido, jamás será vencido!
Inti-Illimani, Plaza de la Dignidad, Santiago du Chili, December 13, 2019
Astor Piazzolla — Libertango
Orquesta Binacional de Tango, Teatro del Lago, 2019
Rubén Patagonia — Amutuy Soledad
1998
Carlos Gardel, Alfredo Le Pera — Mi Buenos Aires querido
Orquesta Binacional de Tango, 2020
Astor Piazzolla — Oblivion
Astor Piazzolla, bandoneon
Epilogue
Yo-Yo Ma, cello, 2019
Christophe Touchard, piano, 2018